Art by
Haley Hylia
The Portraits Series
Video game and popular media characters reimagined in classical oil portraiture style.
My newest piece is Aerith Gainsborough and Tifa Lockhart (Final Fantasy VII Remake) from 2025 and the oldest is Princess Zelda (Legend of Zelda series) from 2016.
…So how tf do you even make these?
I get asked about how my Portrait pieces are created a lot. They are a multi-step, almost mixed media process, but absolutely NOT AI generated.
Here is my basic process:
Every portrait begins with a pre-existing base painting (that I do not paint). 19th century oil paintings are most commonly used, but some are as old as 16th century. As they are so old, they are in the public domain and copyright free – hooray!

Using stock assets, my own photography, CGI renders, pieces of other paintings, and/or screenshots, I bash together a very dirty/ugly mockup of the new composition I’m wanting to create, kind of like a wireframe skeleton for sculpture.

Only when the mockup works as a new composition am I ready to go to the next step – painting! I use a Wacom pen table to paint over everything I need. This can take upwards of 60+ hours to complete, depending on complexity.


In-Depth Process Breakdown
STEP 1: After selecting the right base portrait and covering anything I don’t want to keep (i.e. heads), I roughly throw in resources — typically renders or screenshots — to act as a blueprint for how to build the rest of the piece from the ground up.
STEP 2: I fill out the structure (usually physical anatomy) of the composition by painting in missing bits or adding stock images where needed. From there, I paint in key foundational areas like skin, the outlines of the hair, and clothing recolouring.
STEP 3: The most laborious part: hair and facial details. Hair/eyebrows are always done in 3 colours (light, mid, dark) + flat base. Faces are repainted in a softer, more romanticised way vs their original references. Key features are exaggerated. Eyes are usually last. This step takes up the vast majority of the total work time.
STEP 4: Additional clothing, accessories, or background details are added and refined. Edges are cleaned up. A first round of checks occurs to ensure nothing is out of place, overlapping, or missing.
STEP 5: Highlighting, shadowing, and colour grading. This is the part where the piece REALLY comes together! Final checks to confirm everything is where it should be. The composition goes from flat to dynamic, and by the end of it, the piece is finally finished!~
NEW VS ORIGINAL COMPARISONS
If you’re curious about the original portraits I used or want to see them in relation to my new pieces, check out these ‘before-and-after’ sliders!
Fun Fact #11
My digital canvas is set to A0 in size (841 x 1189mm or 33.1 x 46.8in) so I can paint details — like individual hairs and eyelashes — with ease.
Fun Fact #28
I repair, restore, and/or repaint vintage or antique frames for large prints and sell them in person as truly special one of a kind collector’s pieces.
Fun Fact #65
For every piece I’ve finished, there’s probably 5 in the trash. Not every piece works out, even after many hours spent trying to get it right. Oh well!
Where can I buy prints or merchandise of your work?
If you’re interested in buying a print or other merch — thank you!! I’m flattered you like the pieces enough to want to purchase something! Currently, there are two ways to buy pieces: in person at conventions in New Zealand or via my Etsy store.
I do not sell my pieces anywhere else, so if you see these images on another website, they have been stolen so please don’t buy from them. <3
If you’re in New Zealand and want to arrange an order, please get in touch through email!:
haleyhylia [@] gmail [dot] com
Buy direct from me and support an indie artist!:
















